love this piece by Javier Pérez titled ‘Carroña’. Ten stuffed crows carefully placed on a shattered red chandelier to look as if they were feasting on a dead animal.
@indigopersei is the french language just always on the verge of getting someone accused of assault or..?
my friend, if only you knew
It’s a very dangerous language to learn
Here’s an interesting thing about French! Everything needs to have an article in front of it. That’s why it’s “la chat” as opposed to just “chat”. So, for instance, you could say la fille for the girl, or jeune fille for young girl, but you can’t just say fille, because that means you are calling her a sex worker in a derogatory way.
The moral of the story is, if you want to make something rude in French, just take out the article in front of it. Yes, this works for nearly. every. word.
Every year. Every year there’s that kid who forgets that you can’t translate “I am excited” to “Je suis excitée”. And every year Monsieur Jordan has to slam the brakes before that kid can finish his sentence and then tactfully ask him not to announce to the class that he is horny.
“is the french language always on the verge” oh buddy, oh pal, i am so happy to break this news to you:
Hi. I want to sort of read about cities and cyborg cities and monstrous cities. I was wondering if you would have any recommendations? Theory, nonfic, fic anything. I'd really appreciate it. Thanks in anticipation.
Hello. Thank you for the question, and why not? This is not a comprehensive list by any means (no extensive theory at all or other forms of art, etc). I’m sure there are far better recommendations one could ferret out, but never say no to excellent literature:-
Fiction.
1. Gormenghast,Mervyn Peake: a world of gothic grotesque, strange and gloomy and ornate and slumping into decadent decay, choked by ritual and custom.
2. Invisible Cities, Italo Calvino: This book is a marvel, each chapter dedicated to a different city in the form of conversations between Marco Polo and Kublai Khan. His cities shimmer and shift and beguile you; they aren’t old-world noirs of vice and squalor, but cities of ideas and questions, dense with meaning, compact in every sentence.
3. Anything by China Miéville, including Un Lun Dun, The Scar, but especially Perdido Street Station: Perdido isn’t his best novel, but the prose crackles and it’s fantastic world-building: a dark, dingy, clanking neo-Victorian London of grimy decadence, occult science, body horror, oppression and corruption.
4. Neuromancer, William Gibson: Messy, energetic & innovative—the cornerstone of 1980s cyberpunk-lit: drugs, hackers, sliding realities, information overload. (Also coined the term “cyberspace”).
5. Hunger, Elise Blackwell: not a different world, exactly, but the past; the starvation of Leningrad—how humans salvage themselves, how a city dies.
6. From Hell, Alan Moore: A graphic novel set in victorian London, From Hell is the city at its darkest and most cruel - a place of shadows, the centre of an empire built on blood and bones, its masters lurking around every corner; a flicker on the periphery of your vision, the chill down your neck.
7. The Matthew Swift Novels,Stray Souls, Kate Griffin: These novels aren’t just about London, they want to be London, so viscerally soaked and stinking with the place that you know how Matthew feels to have it in his bloodstream. Griffin’s playing with some of my favourite tropes: psycho-geography and city as biological organism.
9. Neverwhere, Neil Gaiman: A novel about a London below London, a London between-the-cracks riddled with immortality and myth and magic. Gaiman has a knack for the uncanny, for person-shaped monsters with an insidious aura of wrongness.
10. The Night Watch, Sergei Lukyanenko: A fascinating post-Soviet novel set in a Moscow that is alive and ravenous; where worlds exist behind worlds; where dark and light watch each other and the twilight is a city space where the lines between the good and not-so-good blur and shift, all encompassed by a landscape that can be deadly. Unnerving.
Others: Of course, writers like Charles Dickens and Daniel Defoe and Edgar Allen Poe and Jules Verne and Thomas de Quincey and Emile Zola and Charles Baudelaire have all explored the cities they inhabited as breathing, living things, bleak and bright and singed with flame.